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Rather than produce multiple editions of any given print, Stover makes unique artist proofs by varying the colors for the prints and the sequences in which they are applied.
In other words, there is no official edition of any image.
Her articles on the arts and travel have also been published in ARTnews, the Washington Post, Travel & Leisure and Condé-Nast Traveler.
She is the co-author of "In Artists' Homes" (Clarkson Potter, 1992). Gold once taught at Temple’s Tyler School of Art explored the Atlantic Ocean as a “connective cultural force” between the nations and peoples on its shores.
Barbados-born Kara Springer constructs minimalist white structures and places them in island seascapes as temporary installations, which she then photographs.
Despite their diverse heritages, most of Gold’s participants were born in the United States.Speaking of historic sites and events reimagined as contemporary art, the Gettysburg Civil War battlefield and environs have been the subject of Mark Mahosky’s art since 1986.His “Yellow Drawings” from then to now make up his current one-person show at Fleisher/Ollman Gallery — one of the gallery’s rare solo shows in its Arch Street space.Mahosky’s charcoal and ink drawings of landscapes, monuments, and houses on cadmium yellow backgrounds are as emotionally reserved as 19-century documentary photographs of the Civil War.But their warning-sign-yellow backgrounds allude to much more: to future battles, as well as to the mundane fake-parchment facsimiles of Lincoln’s Gettysburg Address sold at tourist traps.